2. Bristol's early nineteenth
century staple industries.
How much damage was done to the economy of Bristol
by mistakes and vacillation on the part of the port authorities cannot be determined
with any degree of precision. Some local industries must have suffered from
the high port dues, and some manufacturers no doubt fled the region for districts
where goods could be imported and exported more cheaply. Yet, the Bristol port-based
industries which showed a capacity to innovate and move with the times managed
not only to survive but also to prosper. Two notable examples were J.S. Fry
(cocoa and chocolate) and Wills & Watkins (tobacco). The latter firm was established
in 1786, at an auspicious time for the tobacco industry. Demand for tobacco
was growing throughout the country, and indeed doubled over the next 20 years,
despite the economic difficulties caused by the interminable war with France.
The firm began with a payroll of about 40 and no particular advantages over
its numerous competitors, but showed what could be achieved with skilled management,
aggressive marketing, and receptivity to technical innovations. After a series
of name changes, takeovers and amalgamations, it became the biggest tobacco
company in the area with the familiar name of W.D. & H.O. Wills. When the Imperial
Tobacco Co. was formed in 1901, Wills, with a workforce of 3,000, was by far
the largest and most profitable of the merging firms. It had developed the U.K.
market for machine-made cigarettes after acquiring the revolutionary Bonsack
machine rolling patent, and accounted for more than half of all sales.#5 Similar
success attended J.S. Fry & Sons. The founder, Joseph Fry, had started in business
in the mid-eighteenth century as an apothecary. He sold chocolate as a medicinal
drink, and it soon became a very fashionable delicacy. Chocolate manufacturing
came to dominate his business, and the concern inherited by his widow and later
his son (J.S. Fry I) was among the first to make chocolate by steam power. Demand
for cocoa and chocolate soared in the nineteenth century, and, as did Wills,
Frys moved to a position of market leadership. The advent of more sophisticated
manufacturing methods, coupled with lower raw materials costs, enabled the firm
to develop products aimed at the less affluent, and its expansion was particularly
rapid in the second half of the century, when a growing population and rising
real incomes brought a widening market for consumer products. In the 1850s,
Frys began making eating chocolate as well as cocoa and drinking chocolate.
Its celebrated Chocolate Creams appeared in 1855. Total sales rose in value
from £144,000 in 1870 to £1,643,000 in 1910, and Frys, which employed 11 people
in 1819, built eight new factories, accommodating a workforce which numbered
2,000 in 1893, and 4,600 in 1908. This success encouraged others to try their
hand at chocolate making, but none ever matched Frys for size or profitability.
Amongst these concerns was Stanton & Champion's Steam Confectionery Works, established
in Lewin's Mead in 1864, which employed about 300 people (mostly girls) in 1883,
and the largest was Edward Packer's Easton factory, opened in the 1880s by a
former employee of Frys. The business prospered, and moved to a large new factory
at Eastville around the turn of the century.#6 Of the other activities generated
by the port of Bristol, mention may be made of sugar refining and shipbuilding.
Sugar, like tobacco and cocoa, formed an important part of the West Indies trade,
and by 1801should have had a promising future. In that year, a record 19,000
hogsheads of sugar were unloaded at the docks, and some 20 refineries were ready
to deal with it. But their owners produced no Wills or Fry to usher them into
the machine age, and within about 30 years the old-fashioned, expensive refineries
were virtually all gone. A worthy attempt to re-establish the industry was made
by a Prussian immigrant, Konrad Finzel, who set up a steam refinery in the city
in 1836. This, with some 500workers, was then one of the largest in England,
and it continued to operate until 1881. Two smaller concerns which followed
Finzel's lead continued for a few more years, but with the closure of the Bristol
Sugar Refinery in 1908 the industry effectively died. The main reason was the
strength of competition from London, Liverpool, and Glasgow, with their lower
unloading charges, though managerial failings may also have contributed something
to the decline.#7 Shipbuilding and repairing fared rather better than sugar
refining in nineteenth-century Bristol. The industry had risen to an important
place in the local economy by medieval times, and its fortunes continued to
improve during the seventeenth and eighteenth centuries. Bristol ship-owners
liked to build locally because different trades had different needs. The height
between decks, for instance, varied according to the type of cargo carried and
its method of storage. Building in Bristol made it easier for owners to ensure
that a ship had precisely the features needed for a particular trade. Many owners
actually built ships for themselves or invested large sums of money in one of
the yards situated on the marshy open ground along the banks of the River Avon.
Several of these disappeared with the construction of the Floating Harbour,
to be replaced by more substantial yards within the new docks complex. The largest
was the Chatham Yard (renamed the Albion Yard in 1848), constructed for the
Hilhouse family, who founded the most important and longest lasting of all Bristol
shipbuilding enterprises. The continued success of the industry down to about
1865 was ensured by an expanding local market, specialist design and construction
skills, and the availability of top quality oak from the Forest of Dean. There
were, of course, peaks and troughs in construction, but before that year there
were enough orders for relatively small ships to sustain the industry at a healthy
level. Bristol builders experienced no particular difficulty in responding to
the demand for iron, and later steel, hulls, and steam-powered vessels were
built in some numbers from 1813 onwards. There is no evidence to suggest that
Bristol builders were wedded to outdated technologies or designs. Indeed, the
achievements of engineers like Stothert, Brunel and Patterson, and the building
of advanced ships like the Great Western and Great Britain suggests quite the
opposite. Yet Bristol was hardly the ideal site for a modern shipyard. The largest
ships that could be built had a burden of about 3,000 tons, and iron and steel
could not be had as cheaply as in the northern shipbuilding towns. Invariably,
as shipowners increasingly favoured large over small vessels, iron over wood,
and steam over sail, Bristol lost ground as a shipbuilding centre. The late
nineteenth century saw the closure of many yards. Only Charles Hill & Sons,
which had taken over the Hilhouse business in 1848, survived the acute difficulties
that faced shipbuilders between the wars. The Second World War gave a final
boost to the firm, but thereafter only specialist vessels like tugs, dredgers
and ferries were built. Repair work, however, continued to provide employment
for substantial numbers of men before the final closure of the Albion Yard in
1977.#8 The nineteenth century also proved to be a critical period for several
older industries less obviously dependent on the port than shipbuilding. The
earliest documented of these is soap making. Soap was first made for use in
the textile industry, but by the sixteenth century at least, Bristol was producing
high-grade toilet soap, of which it was the nation's leading manufacturer. And
though Charles I, by favouring London producers in the granting of monopolies,
almost annihilated the trade (the number of soap boilers in Bristol plunged
from 183 to just four), a recovery began during the eighteenth century. This
was lent impetus when a firm originally set up by Samuel Fripp and Joseph Fry
merged with that of Thomas Thomas in 1841 (under the name of Christopher Thomas
& Brothers). Other soap firms remained in existence, but none could rival the
new concern. By the 1870s, Thomas's was producing about 13,000 tons of soap
a year, about 8 per cent of the national total, making it one of the largest
producers in Britain. The firm also produced moulded candles, and in the 1880s
it developed glycerine distilling and margarine manufacturing. This was the
heyday of the firm, and its 'Puritan' soap dominated the regional market. But
in the later 1880s it began, like other established manufacturers, to experience
increasing competition from William Lever. His aggressive marketing methods
brought him quick success, and in 1910, after a period of fierce rivalry, his
firm took over Christopher Thomas & Brothers. Production continued in Bristol
under the new management, but though Thomas's ornate factory - inspired by the
Uffizi Palace in Florence - is still to be seen in Broad Plain, the operation
in the end was too small to be viable, and production ceased in 1950.#9 A similar
fate was suffered decades earlier by Bristol's glass makers. Glass had been
produced in the city for almost as long as soap, mostly in the functional form
of windows and bottles. In 1800, fifteen glass-houses were operating in Bristol,
and two more in nearby Nailsea. Most of the Bristol houses were engaged in bottle
making, but a few produced decorative glassware of very high quality, cut, engraved,
tinted or deeply coloured and decorated. The best-known of these manufacturers
was Isaac Jacobs, whose characteristic work was a beautiful deep-blue translucent
glass, patterned with gilt paint. Another dimension was added to the industry
in the mid-1820s by W. & T. Powell, originally a pottery firm, which produced
attractively elegant cut glass at the Red Lane glasshouse. However, within a
decade, the total number of glasshouses in Bristol had fallen to four, through
a combination of mergers, takeovers and bankruptcies. And only the Phoenix house
in Portwall Lane continued to make decorated glass. Its closure in 1851, after
three unprofitable years, marked the end of a comparatively short but by no
means inglorious episode in the history of English art and craft. The bread-and-butter
trade of bottle making, however, continued for another 70 years, concentrated
now into one firm, Powell & Ricketts, of Avon Street. This house achieved notable
success by staying alive in competition with the dominant new factories in the
Northern and Midland coalfields until after the First World War. Depressed trading
conditions and a lack of cash for investment in more productive techniques brought
about liquidation in 1923.#10